The late, great Jean-Luc Godard wrote in his 1960 film "Le Petit Soldat" that photography was truth, and that cinema is truth at 24 frames per second. Every edit is a lie.
Editing is one of those alterations from truth that modern cinema audiences h
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Richard Linklater’s Apollo 10 1/2: A Space Age Childhood, an original Netflix animated feature released earlier this year, was rejected by the Academy for consideration in the upcoming best animated feature race, and its filmmakers are speaking about
Though Hollywood has served as the film capital of the US for more than a century, the entire Golden State has been a backdrop for countless movies, TV shows and commercials. Lured by the mild climate, diverse landscapes and short drive up from LA,
Disney’s “Cruella” is both a live-action “101 Dalmatians” origin story and an ode to 1970s London. It’s set at the height of the punk rock era, when an “anything goes” mentality ruled music, fashion and makeup. When she took on the job, mak
The scribe of the upcoming 'Bill & Ted Face the Music' (and its predecessors) has scripted megahits like 'Men in Black' and 'Charlie's Angels' and frequently collaborates with Steven Soderbergh, but he's not one to rest on his laurels: "Every new scr
Mark Lanza, president of the Motion Picture Sound Editors, has been working from home since the coronavirus shut everything down. That’s the new norm for Lanza and many other sound editors as they learn to adapt to the pandemic.
As president of the o
By consistently aiming his movies at the PG-13/12A certificate, the director has made himself cinema’s pre-eminent big-budget auteur.
ou can count the directors who’ve been able to command budgets over $200m (£152m) for original blockbusters on one ha
Universal Filmed Entertainment Group has its head in the cloud — and now it’s going to push its production teams there.
The company has embarked on a major multiyear strategy to move its studios’ film and TV production from in-house servers to the Mic
Twenty years after “Bring It On” debuted, “Brr it’s cold in here” and “This is not a democracy, it’s a cheerocracy” have shown no signs of being shunted aside from the cultural lexicon.
But in the late ’90s when screenwriter Jessica Bendinger shopped
Entertainment mogul Sumner Redstone, who died August 11 after clinging to life for 97 years, also hung onto the old model of the legacy Hollywood studio. He embraced network TV, two-hour Paramount movies playing in theaters, and cable channels like M
Not many companies can say they won an Academy Award with their first film. But Lion Forge Animation’s Carl Reed and David Steward II, who formed the U.S.’s only Black-owned animation studio last year to address a lack of representation in the genre,
After prolonged closures due to the coronavirus pandemic, movie theaters in the United States and other parts of the world are slowly starting to turn the lights back on, welcome patrons and hear their cash registers ring again.
In modern times, openi
Like many, filmmakers Deon Taylor has been stuck at home during the coronavirus pandemic. And like many, he’s been itching to get back to production.
Inspired by quarantine and lockdown, Taylor told his wife, producer Roxanne Avent Taylor, he was goin
Few can argue that Latinos haven’t been greatly underrepresented in Hollywood, particularly at the creative level. A key reason, many say, is an insufficient comprehension of what the terms “Latino” and the gender-neutral “Latinx” mean.
When Hollywoo
A new proposal for seeing whether a TV or film project presents Muslim characters in dynamic, nuanced and intersectional stories and contexts.
For self-identifying Muslims, there was something to finally cheer when Emmy nominations were unveiled on Ju
The star recalls how he fought for his role in Chris Noonan's film, which earned seven Oscar noms and spawned a sequel.
Like its title character, Babe, released a quarter-century ago, is the story of an underestimated little thing that went on to stup
To say that documentarian Tiller Russell has a knack for discovering unconventional characters is an understatement. From NYPD cops running a cocaine ring (2015’s The Seven Five), to a Russian mobster, a Cuban spy and a Miami playboy conspiring to se
Launching a career with a strong short is a hallmark of the independent film scene. The best shorts of the year commonly attract attention from festival programmers, managers, producers, agents. And in addition to generating recognition and industry
Jessica Swale’s World War II-era “Summerland,” debuting on demand via IFC on July 31, turns the English coastal countryside into a character in the tale of a reclusive writer played by Gemma Arterton — and the house in which much of the action takes
Writer-director Scott Wiper’s The Big Ugly is the best kind of genre film, a crime movie aware of the traditions in which it’s working but not beholden to them; combining elements of ’40s and ’50s crime fiction (Jim Thompson seems to be a particular
